The Films of Bill Morrison: Aesthetics of the Archive

Main
The Films of Bill Morrison: Aesthetics...

The Films of Bill Morrison: Aesthetics of the Archive

Bernd Herzogenrath (editor)

0 / 0

Quanto ti piace questo libro?

Qual è la qualità del file?

Scarica il libro per la valutazione della qualità

Qual è la qualità dei file scaricati?

This is the first book-length study of Morrison's work, covering the whole of his career.

Anno:

2017

Casa editrice:

Amsterdam University Press

Lingua:

english

Pagine:

280

ISBN 10:

9048529093

ISBN 13:

9789048529094

File:

PDF, 6.06 MB

IPFS:

,

english, 2017

Leggi Online

La conversione in è in corso

La conversione in non è riuscita

Puoi essere interessati a

Lawrence Kramer; Daniel Goldmark; Richard D. Leppert — Beyond the Soundtrack: Representing Music in Cinema

David B. Clarke — Moving Pictures Stopping Places: Hotels and Motels on Film

Genevieve Yue — Girl Head: Feminism and Film Materiality

Jiri Anger; — Towards a Film Theory From Below

Giuliana Bruno — Atlas of Emotion

Giuliana Bruno — Atlas of Emotion: Journeys in Art, Architecture, and Film

Bernd Herzogenrath (Editor) — The Films of Bill Morrison

Claudy Op Den Kamp — The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen

Combs, C. Scott — Deathwatch

David LaRocca — Metacinema : The Form and Content of Filmic Reference and Reflexivity

David LaRocca — Metacinema: The Form and Content of Filmic Reference and Reflexivity

Garrett Stewart — Framed Time: Toward a Postfilmic Cinema (Cinema and Modernity Series)

Jenny Chamarette — Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema

Amad, Paula — Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète

Combs, Scott C — Deathwatch

Remes, Justin — Motion(less) pictures : the cinema of stasis

Justin Remes — Motion(less) Pictures

Paula Amad — Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète

Justin Remes — Motion(less) Pictures: The Cinema of Stasis

Joanne Bernardi (editor), Paolo Cherchi Usai (editor), Tami Williams (editor), Joshua Yumibe (editor) — Provenance and Early Cinema (Early Cinema in Review: Proceedings of Domitor)

Stella Bruzzi — Approximation: Documentary, History and the Staging of Reality

Paul Flaig, Katherine Groo — New Silent Cinema

Christina Rawls, Diana Neiva and Steven S. Gouveia — Philosophy and Film: Bridging Divides

Geraldine Pratt, Rose Marie San Juan — Film and Urban Space: Critical Possibilities

Geraldine Pratt; Rose Marie San Juan — Film and Urban Space: Critical Possibilities

Shohini Chaudhuri — Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship

Shohini Chaudhuri — Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship

Scott MacKenzie, Janine Marchessault — Process Cinema: Handmade Film in the Digital Age

Scott MacKenzie (editor); Janine Marchessault (editor) — Process Cinema: Handmade Film in the Digital Age

Matthew G. Kirschenbaum — Bitstreams: The Future of Digital Literary Heritage

Hadjioannou, Markos — From light to byte : toward an ethics of digital cinema

Genevieve Yue — Girl Head: Feminism and Film Materiality

Christina Lee; Michael Pigott — Violating Time: History, Memory, and Nostalgia in Cinema

Anthony Slide — Nitrate Won't Wait: A History of Film Preservation in the United States

James Snead — White Screens/Black Images

Termini più frequenti